Catcher In The Rye Holden And His Phony Family The Protagonist, Holden

Catcher in the Rye Holden and His "Phony" Family The protagonist, Holden Caulfield, interacts with many people throughout J.D. Salinger's novel The Catcher in the Rye, but probably none have as much impact on him as certain members of his immediate family. The ways Holden acts around or reacts to the various members of his family give the reader a direct view of Holden's philosophy surrounding each member. How do Holden's different opinions of his family compare and do his views constitute enough merit to be deemed truth? Holden makes reference to the word "phony" forty-four separate times throughout the novel (Corbett 68-73). Each time he seems to be referring to the subject of this metaphor as -- someone who discriminates against others, is a hypocrite about something, or has manifestations of conformity (Corbett 71). Throughout The Catcher in the Rye, Holden describes and interacts with various members of his family. The way he talks about or to each gives you some idea of whether he thinks they are "phony" or normal. A few of his accounts make it more obvious than others to discover how he classifies each family member. From the very first page of the novel, Holden begins to refer to his parents as distant and generalizes both his father and mother frequently throughout his chronicle. One example is: "?my parents would have about two hemorrhages apiece if I told anything personal about them. They're quite touchy about anything like that, especially my father. They're nice and all ? I'm not saying that ? but they're also touchy as hell" (Salinger 1). Holden's father is a lawyer and therefore he considers him "phony" because he views his father's occupation unswervingly as a parallel of his father's personality. For example, when Holden is talking to Phoebe about what he wants to be when he grows up, he cannot answer her question and proceeds to give her his opinion about their father's occupation.. ?Lawyers are all right, I guess ? but it doe sn't appeal to me,' I said. ?I mean they're all right if they go around saving innocent guys' lives all the time, and like that, but you don't do that kind of stuff if you're a lawyer. All you do is make a lot of dough and play golf and play bridge and buy cars and drink Martinis and look like a hot-shot. How would you know you weren't being a phony? The trouble is, you wouldn't' (Salinger 172). When Holden describes his mom, he always seems to do so with a sense of compassion yet also with a jeering tone. Holden makes his mom sound predictable and insincere. These phony qualities are shown in two different examples when Holden is hiding in the closet of D.B.'s room as his mom walks in to tuck in Phoebe: ?Hello!' I heard old Phoebe say. ?I couldn't sleep. Did you have a good time?' ?Marvelous,' my mother said, but you could tell she didn't mean it. She doesn't enjoy herself much when she goes out. ?'Good night. Go to sleep now. I have a splitting headache,' my mother said. She gets headaches quite frequently. She really does (Salinger 177-178). The first two examples are excellent illustrations of how Holden classifies people as phonies. However, when it comes to Holden's older brother, D.B., more analysis is needed to derive Holden's true feelings about his brother. Holden seems to respect his older brother somewhat but cannot tolerate the imposed false image brought on by D.B.'s career choice as a screen-play writer. For example, this sense of respect is shown when D.B. takes Holden and Phoebe to see Hamlet: "He treated us to lunch first, and then he took us. He'd already seen it, and the way he talked about it at lunch, I was anxious as hell to see it, too" (Salinger 117). Holden feels that all movies and shows are false, absurdly exaggerated portrayals of reality and subsequently because his brother takes part in these perversions of realism, he is a "phony." He's in Hollywood. That's isn't too far from this crumby place, and he comes over and visits me practically every week end?He's got a lot of dough, now. He

desert storm essays

desert storm essays I denna uppsats har jag valt att behandla humanitra och miljmssiga aspekter p Gulfkriget 1990 -1991. P grund av mnets omfattning har jag valt att strikt begrnsa mig till dessa aspekter och inte ta upp t ex militra och strategiska sdana. Detta har tyvrr visat sig vara ett mne som inte ens jag klarar av att skriva p ett roligt stt om. 1:2 Iraks behandling av kuwaitiska krigsfngar och civilbefolkning 1:3 Skadeverkningar p miljn i Kuwait 1:4 Plundring och frstrelse 2:2 Flygoffensiven - Operation Desert Storm 2:3 Markoffensiven - Operation Desert Sabre 2:4 Skadeverkningar p miljn i Irak "Gulfkriget och den humanitra folkrtten" av Christer Ahlstrm, Folkrttsdelegatio- "The true cost of conflict", Kapitel 2, "The Iraq Conflict" av Den 2 augusti 1990 invaderades Kuwait av irakiska trupper. Detta var den slutliga kulmen p en lngre tids konflikt mellan lnderna angende olje- flt p den irak-kuwaitiska grnsen, och ar i norra Gulfen. De verbala hotelserna trappades gradvis upp under 1990, fr att kulminera i juli med att Irak anklagade Kuwait fr att ha stulit irakisk olja till ett vrde av 2.4 biljoner USD. Natten till den 2 augusti inleddes invasionen. Det kuwaitiska frsvaret verraskades, och de invaderande styrkorna mtte ringa motstnd. Vid 7-tiden p morgonen stod de irakiska styrkorna i Kuwait City, och efter 48 timmar hade hela landet intagits. Den 8 augusti frklarade den irakiska ledningen sin avsikt att annektera Kuwait, och den 28 augusti offentliggjordes att grnsomrdena mellan Irak och Kuwait hade infrlivats med den irakiska provinsen Basra, samt att vriga delar av Kuwait nu ut- gjorde Iraks 19:de provins. Fr frsta gngen i FN:s historia hade en medl...